Are you a Christian hipster?

From Brett McCracken, a friend and one-time contributor to my online project, LiturgicalCredo.com:

Christian hipsters don’t like megachurches, altar calls, and door-to-door evangelism. They don’t really like John Eldredge’s Wild at Heart or youth pastors who talk too much about Braveheart. In general, they tend not to like Mel Gibson and have come to really dislike The Passion for being overly bloody and maybe a little sadistic. They don’t like people like Pat Robertson, who on The 700 Club famously said that America should “take Hugo Chavez out”; and they don’t particularly like The 700 Club either, except to make fun of it. They don’t like evangelical leaders who get too involved in politics, such as James Dobson or Jerry Falwell, who once said of terrorists that America should “blow them all away in the name of the Lord.” They don’t like TBN, PAX, or Joel Osteen. They do have a wry fondness for Benny Hinn, however.

Christian hipsters tend not to like contemporary Christian music (CCM), or Christian films (except ironically), or any non-book item sold at Family Christian Stores. They hate warehouse churches or churches with American flags on stage, or churches with any flag on stage, really. They prefer “Christ follower” to “Christian” and can’t stand the phrases “soul winning” or “non-denominational,” and they could do without weird and awkward evangelistic methods including (but not limited to): sock puppets, ventriloquism, mimes, sign language, “beach evangelism,” and modern dance. Surprisingly, they don’t really have that big of a problem with old school evangelists like Billy Graham and Billy Sunday and kind of love the really wild ones like Aimee Semple McPherson.

....They tend to be fans of any number of the following authors: Flannery O’Connor, Walker Percy, Wendell Berry, Thomas Merton, John Howard Yoder, Walter Brueggemann, N.T. Wright, Brennan Manning, Eugene Peterson, Anne Lamott, C.S. Lewis, G.K. Chesterton, Henri Nouwen, Soren Kierkegaard, Pierre Teilhard de Chardin, Annie Dillard, Marilynne Robison, Chuck Klosterman, David Sedaris, or anything ancient and/or philosophically important.

Christian hipsters love thinking and acting Catholic, even if they are thoroughly Protestant/evangelical. They love the Pope, liturgy, incense, lectio divina, Lent, and timeless phrases like “Thanks be to God” or “Peace of Christ be with you.” They enjoy Eastern Orthodox churches and mysterious iconography, and they love the elaborate cathedrals of Europe (even if they are too museum-like for hipster tastes). Christian hipsters also love taking communion with real Port, and they don’t mind common cups. They love poetry readings, worshipping with candles, and smoking pipes while talking about God. Some of them like smoking a lot of different things.

Read Brett's full post here. If you scroll far enough into the comments, you'll even see a few words by Yours Truly.

-CFB

Paglia on religion and the arts

In an article in the Spring/Summer 2007 edition of Arion: A Journal of Humanities and the Classics, Camille Paglia wrote about the relationship between religion and the arts, and how respect for religion can revive the arts. What follows in an excerpt from Paglia’s article; thanks to the folks at Mars Hill Audio Journal for posting it on their Web site.

Paglia wrote:

For the fine arts to revive, they must recover their spiritual center. Profaning the iconography of other people’s faiths is boring and adolescent. The New Age movement, to which I belong, was a distillation of the 1960s’ multicultural attraction to world religions, but it has failed thus far to produce important work in the visual arts. The search for spiritual meaning has been registering in popular culture instead through science fiction, as in George Lucas’ six-film Star Wars saga, with its evocative master myth of the “Force.” But technology for its own sake is never enough. It will always require supplementation through cultivation in the arts.

To fully appreciate world art, one must learn how to respond to religious expression in all its forms. Art began as religion in prehistory. It does not require belief to be moved by a sacred shrine, icon, or scripture. Hence art lovers, even when as citizens they stoutly defend democratic institutions against religious intrusion, should always speak with respect of religion. Conservatives, on the other hand, need to expand their parched and narrow view of culture. Every vibrant civilization welcomes and nurtures the arts.

Progressives must start recognizing the spiritual povery of contemporary secular humanism and reexamine the way that liberalism too often now automatically defines human aspiration and human happiness in reductively economic terms. If conservatives are serious about educational standards, they must support the teaching of art history in primary school — which means conservatives have to get over their phobia about the nude, which has been a symbol of Western art and Western individualism and freedom since the Greeks invented democracy. Without compromise, we are heading for a soulless future. But when set against the vast historical panorama, religion and art — whether in marriage or divorce — can reinvigorate American culture.

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For something that looks a little like the marriage of religion and the arts, check out this interview with Nicora Gangi, along with images of two of her paintings, at http://www.liturgicalcredo.com/NicoraGangiJuneJuly2007.html .